
OK, so the camera is about the same, but the service is much better, so I am happy about that.
Antigone has been accepted to the Sibiu Theatre Festival, so I should be heading to Rumania this spring. This is not the Antigone I lit last November, but another one. I am quite excited about this project. I have worked with a lot of Europeans, but have not yet worked in Europe. This version of Antigone is adapted for a single female performer. It is very exciting. It takes the best elements of the Sophocles and Anouilh and reworks them to make a truly contemporary text. The journey for Creon is a failed redemption after the fall from grace engendered by the "Power corrupts, absolute power corrupts absolutely" idea.
It speaks to the contemporary United States as much as any other contemporary fascist state. I think it will translate well to an audience in a former Communist/Fascist state. Of course we won't really know until it plays, so we shall see.
A foreigner crossing Thebes on his journeyIn more local news, I will be working at the New York Theatre Workshop this spring. It is an assisting gig not a design position, but I get to hang out with my friend Mark for a few weeks, so that will be fun. I have only seen him a handfull of times since he graduated NYU. We worked together for a year in the dance department there. It will be nice to hang out. Um, I mean work.
Would witness a town of order: a king that rules and a town that calmly works.
He would not see the turbulences underneath the tamed waters.
Who would say that a girl is dying out of mercifulness?
I have a chiropractic appointment soon, and then off to a runthrough for Last Word. I am excited to see what this thing is looking like. We load in to St. Clement's next week and enter previews the following Tuesday. I ended 2006 with a one person Off-Broadway play, and start 2007 with a two person Off-Broadway. It makes for a nice continuity.
January 16 2007, 19:54:24 UTC 5 years ago
January 16 2007, 22:08:30 UTC 5 years ago